This perpetually unclassifiable and unfinished book of self-reflective fragments was first published in Portuguese in 1982, and it is arguably Pessoa's masterpiece. When Pessoa died in 1935, a few years short of 50, he left behind a trunk of mostly unpublished writing in a variety of languages his Lisbon publishers and variously translators are still sifting them. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century. Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the 'autobiography' of Bernardo Soares, one of Pessoa's alternate selves. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, 'gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague.'

He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. Winner of the Calouste Gulbenkian Translation Prize for Portuguese Translationįernando Pessoa was many writers in one. The prizewinning, complete and unabridged translation-“the best English-language version we are likely to see for a long time, if ever” ( The Guardian)-of a work of unclassifiable genius: the crowning achievement of Portugal’s modern master

The book of disquiet penguin classics